Here you can see the elements of a good compositional set-up. It was done by one of my students before she started her painting. There is good variety of the major things one needs to be aware of. Good tone or value variety, good differences in shapes and sizes and good colors as well! There is also a good arrangement of these shapes such as the lighter bowl against the dark rooster. If the bowl were against the background, it wouldn't show up so well since it is close in tone to the background.
Showing posts with label composition. Show all posts
Showing posts with label composition. Show all posts
Monday, September 12, 2011
Good composition
Here you can see the elements of a good compositional set-up. It was done by one of my students before she started her painting. There is good variety of the major things one needs to be aware of. Good tone or value variety, good differences in shapes and sizes and good colors as well! There is also a good arrangement of these shapes such as the lighter bowl against the dark rooster. If the bowl were against the background, it wouldn't show up so well since it is close in tone to the background.
Sunday, August 1, 2010
Try it out without committing!
The top image is the original painting (acrylic).
It is the work of a student of mine.
If you are nearing the end of a painting and need
to try out additional elements then here is a way
to do it without putting on paint that you may have
to take off and also wreck affects that are underneath
that you like and want to preserve.
Take colored paper and cut out shapes and lay them
on the painting til you like what you have. I have
done this in two arrangements. Of course I could
have cut different shapes in different sizes, but I
think this communicates the general idea.
Sunday, July 11, 2010
Composition tip
When you are arranging a still life, sometimes
there is an area in the background that is a big
blah! Lighting the set up so you can now have an
interesting shadow break up the blah space is
a simple thing to do to make it more interesing.
This is a set up arranged by one of my painting
students who has just started painting after
completing her drawing courses (line and tone
drawing).
Sunday, April 4, 2010
Composing from your photos
When I see a scene that I would like to paint, I take a long shot of it, then close up shots.
The reason? Because when you photograph a long shot, there are things that are not clearly visible in the photo.
Therefore, taking closer shots of the same subject gives you more visual information.
This was a series of shots from last week when I was down viewing the
glorious cherry blossoms in
Washington, D.C.
There were families and couples everywhere, but these two were in a setting that
worked for my painting purposes!
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